”They are photographs that are almost not
photographs, taken with cinema film of 35 mm, I load un properly in a camera.
From the very beginning I will let random processes to intervene in the shoot,
the image will be blurred, moved, touched. Then I will interfere in the developing
process, scratching, veiling, touching to alter. In my work as an artist that
captures there is a game of election and experimentation of the place, a “being
there” so that the space penetrates into my gaze, the gaze of my eye-camera. I
never go and take a shot quickly, I stay, I have an experience in the places
that I portray. It is not a touristic snapshot, it is a diver’s experience, a
being-in-the-place.
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